The first is a modern but classically-established noir; the second, a noir war drama set during the Russian invasion of Berlin; the third, a noir-stained story of political repression in '70's East Germany.
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NIGHT EDITOR (1946)
By Gary Deane Director Henry Levin never met a film genre that he didn’t like or — perhaps more accurately — that didn’t like him. Though ta...
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Her mother thought her daughter was daft. The girl seemed “movie mad”, living only for the pleasures of the pictures and latest mov...
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By Gary Deane Hollywood has long struggled to capture the essence of Elmore Leonard’s fiction—if it has ever truly tried. Alth...
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By Gary Deane “I’ve never been able to like you”, Sam Houston (Richard Boone) to Col. William Travis (Laurence Harvey), The A...



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